Effect Of Postimpressionists On The Next Generation Essay -- essays re

Postimpressionism Postimpressionism was a movement in late-19th-century French painting that emphasized the craftists personal response to a subject. Postimpressionism takes its name from an device movement that immediately preceded it Impressionism. notwithstanding whereas impressionist painters concentrated on the depiction of a subjects immediate appearance, postimpressionists focused on emotional or spiritual meanings that the subject might convey. Although impressionist artists interpreted what they saw, their approach nevertheless remained rooted in observation of the natural world. Postimpressionists conveyed their personal responses to the world around them through the use of strong, unnatural colors and exaggeration or slight distortion of forms.Postimpressionism can be said to yield begun in 1886, the year that French painter Georges Seurat exhibited Sunday Afternoon on the Island of La Grande Jatte (1884-1886), and to collect ended in 1906, the year French painter Pa ul Czanne died. British art critic Roger Fry, however, coined the term postimpressionism, in 1910 when he organized an expo of French paintings at the Grafton Galleries in London. Fry is said to have been dissuaded from using the word expressionist to describe the work of Czanne, Seurat, Paul Gauguin, Henri Matisse, Vincent van Gogh, and others, and to have finally declared "Oh, lets just call them post-impressionists at any rate, they came after the impressionists." The term was firmly established when Fry held a second show of postimpressionist art at the Grafton Galleries in 1912.The PostimpressionistsThe painters most closely associated with postimpressionism all took part in Frys first exhibition Czanne, Seurat, Gauguin, Matisse, and van Gogh. Although their styles differed greatly from one another, these artists shared an dexterity to communicate concepts, emotions, or personal sensation through their art. Unlike other postimpressionists, Paul Czanne did not create s ymbolic equivalents between elements of his paintings and particular emotions or concepts. Instead, Czanne, who began his career as an impressionist, felt that he could communicate the intensity of his personal sensation through his painted observations of nature. He repeatedly turned to traditionalistic artistic subjects, such as landscapes, still lifes, and nude bathers. However, his r... ...m, used more decorative shapes, stencilling, collage, and brighter colors. It was then that artists such as Picasso and Braque started to use pieces of cut-up newspaper in their paintings. An early twentieth-century school of painting and sculpture in which the subject matter is portrayed by geometric forms without realistic detail, stressing abstract form at the set down of other pictorial elements largely by use of intersecting often transparent cubes and cones. Czanne influenced cubism, the highly influential visual arts style of the 20th century that was created principally by Picasso a nd Braque in Paris between 1907 and 1914. The Cubist style emphasized the flat, two-dimensional surface of the picture plane, rejecting the traditional techniques of perspective, foreshortening, modeling, and chiaroscuro and refuting time-honoured theories of art as the imitation of nature. Cubist painters were not bound to copying form, texture, colour, and space instead, they presented a new reality in paintings that depicted radically fragmented objects, whose some(prenominal) sides were seen simultaneously. this has been collected from various resources on the net ... ibiblio.org, among others